Thursday, October 15, 2026

News and Ideas Worth Sharing

David Noel Edwards

David Noel Edwards is a writer, composer, and recording artist from Canaan, New York. He has been writing for the Berkshire Edge since 2015, mainly about music, but also about books, birds, and reptiles.

written articles

REVIEW: JP Jofre at Tanglewood Learning Institute, Nov. 16

Because of its quirky keyboard layout — and the scales most idiomatic to the instrument — it seems likely that the bandoneon actually shaped the evolution of tango music.

Autumn at Tanglewood

Just as the group launched into Mozart's "Kegelstatt Trio," the Center's famous mascot, a 100-foot-tall red oak, began to flutter in the wind, its leaves painted in shades of saffron, peach and tangerine.

PREVIEW: Hai-Ting Chinn puts science to music at Hudson Hall, Oct. 26

Chinn is quick to point out that "Science Fair" is not about decorating anything. Rather, it is about revealing the beauty found not only in the visible and palpable outcomes of natural processes but, most especially, in science's most abstract concepts.

Tanglewood Learning Institute announces fall/winter/spring schedule

In one fell swoop, Tanglewood became a year-round venue for the first time in its 82-year history when it launched the new Linde Center for Music and Learning in the summer of 2019.

PREVIEW: Squeeze, Mavericks, Tunstall at Tanglewood Aug. 29

Difford and Tilbrook have written many great songs together, but their Billboard chart history tells an incomplete story of their successes.

MUSIC REVIEW: Yu-An Chang, Conrad Tao bring down the house Aug. 23 at Tanglewood

In any case, it is inconceivable that Mr. Tao would not be asked to perform again with the BSO at his very earliest convenience. 

PREVIEW: John Williams’ Film Night with David Newman Aug. 24

The two men make a great team, right? Yes, they do, but you haven't heard the half of it.

PREVIEW: ‘The Black Mozart’ Aug. 19 at Tanglewood Learning Institute

The story of the Chevalier de Saint-Georges and his erstwhile roommate Mozart is the subject of Bill Barclay's latest musical work, 'The Black Mozart,' which the Boston Symphony Orchestra commissioned for the inaugural season of the Tanglewood Learning Institute.

PREVIEW: ‘Star Wars: A New Hope’ to be screened with live orchestra Aug. 16 at Tanglewood

If this were a high-wire act, no one would sell them life insurance, because they work without a safety net.

PREVIEW: Happiness to abound Aug. 15 when Tanglewood welcomes the Knights and Gil Shaham

The Knights believe that having an enormous amount of fun is the best way of accomplishing serious musical work, so it's only natural that the world's happiest orchestra would team up with the world's happiest violinist.

REVIEW: Kavakos took liberties with Beethoven’s Violin Concerto

There is a tradition of violinists either writing their own cadenzas for this concerto or transcribing the ones Beethoven wrote for the piano version of the piece.

PREVIEW: Tanglewood’s adventurous 2019 Festival of Contemporary Music

Considered as a whole, Festival of Contemporary Music works are always as fascinating as music (or sound design) gets—challenging, too.

REVIEW: Tanglewood leaves music to chance with John Cage’s ‘Song Books’

Innumerable singers, pianists, cellists, violinists and other musicians stood or milled about (with and without music stands), including two fellows who made their assigned sounds by riding around in a clattering wagon.

PREVIEW: Zukerman, Forsyth to play Dorman Aug. 3 at Tanglewood

Dorman has taken the idea of a concerto being a conversation between instruments and extended it to this particular pair of musicians, who just happen to be husband and wife.

REVIEW: ‘Die Walküre’ at Tanglewood featured brilliant performances punctuated by serendipitous weather

Everyone was delighted that such an improbably timed twist of meteorological fate would occur on the one day that Wotan would visit the Tanglewood grounds in person.

REVIEW: Shostakovich stole the show July 26 at Tanglewood

Shostakovich's Symphony No. 2, Opus 14, "To October," is about real events and the real people who experienced them.
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