Monday, September 14, 2026

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Lost Silence

The young poet, Matthew Vernon Whalan , now back at Marlboro College in Vermont, muses about silences, real and imagined.

Myself even in such silence

Still manufactured,

Escaped to a back alley,

Where only a feeling of forgetfulness—

 

As if the entire forgetting

of the townspeople’s motions

Finds its way here—

 

And a wish for silence died,

And in the twitching quietude buzzes a generator,

The constant droning of insistence

Upon forward,

The sameness of forwardness,

 

The sameness of its hopeful newness,

The continuing lines of the wires hugging the buildings,

 

The pipes, blasting also onward,

Still and away from any dream,

Yet opened at the end,

Suggesting their own

Belch of being into the world,

 

Like it is all more impacting than I am,

As I only pass through this moment

And then out into the dark question,

While the construct—

The only proof that something like Me was here—

 

Continues toward its meaning

As the leftovers of humanity,

An ended or awoken moment of wonder,

When no wish from a back alley

Insists over the force of nature,

 

A hopeful unawareness of being.

 

Questions

Of death and madness and love and Good

Force me out of time,

Never finalized in a minute or hour or day,

Never begun nor ended—

 

They are growing despite time,

A perpetual, agitated process,

Until I no longer may.

 

They force me out of the recklessly hopeful

Continuation of the concrete and steel

Cry for attention,

 

The demand upon its own significance

For fear of the completeness

Which it builds toward,

And the other completeness

That it runs away from.

 

The final sensitivity of the killing heart.

 

To seek slowness fight fear,

A fear dreamed into being—

Maybe we did not want

Such manufactured meaning, significance.

Who propels this force of goodness?

 

Careful not to illumine their hiddenness,

As their power veils the organism,

 

Like way back when,

A large hard staring man who looked falling

Slapped a tambourine,

Demanding and delivering the backward pull

Of himself and his drum,

 

Sinking into the flooding bell of the church over the town,

Reminded of a hopefully warm communication,

The round solace and nature of the still human noise.

 

He went to the back corner of the lot each day,

Hiding his goodness,

Where a patch of weeds

Had broken through the forcing submission

Of the pavement and crouching,

He would stare, finding what was left,

 

Trusting in persistent Good,

An infinitude in the wholeness

Of only the fact of life,

 

Eventually he said

He was almost regretful to be living, near tears,

Because he felt he left his body

When he beat on his drum,

Or like he could leave his body—

He said he came close every time—

 

But the more he beat his drum,

The more bound to himself

And his unsilence he became.

 

Try to be good, he said, to me

After too many days of himself,

But sometimes you can’t unring the bell, he said,

So don’t think about the fact of the cage too much—

The cage, he called it.

 

Instead, in the organism’s humming

Over silence in the alley way,

It seems more that I rest

in the non-collective forgetting

About the cage, forced to further remember

And bury myself in its lostness.

 

Because the creation and the denial

Are simultaneous, I see.

Need be free of the aging purpose,

And its last breaths of good and evil

 

Over growth of wonder beyond time,

In the cage of time.

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