“The retreat brings people together, builds community in the forest, gets participants outside and off their screens, and uses nature sustainably to heal and inspire minds and souls,” stated Great Mountain Forest Executive Director Michael Zafros. Retreat registration closes on July 30.
Antonín Dvořák’s Serenade for Winds and String Instruments (1878) evokes the 18th century, late-baroque, tradition of outdoor performances on the grounds of the nobility’s castles for the amusement of both the aristocracy and its serfs.
Stucky’s aim in “Dialoghi” isn’t to torment the cellist. Instead, he intends to endow the cellist with novel powers of expressivity. In this, Stucky succeeds admirably.
“Beethoven’s work,” Yudkin explains, “is of such a stature that it warrants constant reviewing and research. We’re dealing here with a genius of the highest purpose, someone on a par with William Shakespeare.”
Soyeon Kate Lee’s delivery of Scriabin’s Op. 28 is so manifestly heartfelt that it would be difficult to say whether she owns the piece or is possessed by it.
“We feel it our duty to hand down the old treasures of Musical Culture to American Youth. Enriched by this culture, the Young People of America will carry it further to new achievement.”
-- Serge Koussevitsky, upon the opening of Tanglewood Music Center in 1940
“Throughout my life I have envisioned the establishment of a great music and art center in the world. The United States of America can and are destined to have such a center. American freedom is the best soil for it.”
-- Serge Koussevitzky
Lenox -- Ludwig van Beethoven inscribed his last string quartet, “The hard-won resolution” (Der schwer gefasste Entschluss). Toward the end of its second, final...
"The combined institution creates in one stroke the most comprehensive training ground for performing arts and related careers in the country, if not the world."
-- Boston Conservatory president Richard Ortner, describing the proposed merger of the Berklee College of Music and the Boston Conservatory
Jeannette Sorrell, harpsichordist and passionate conductor of Apollo's Fire, considers "the most distinctive thing about our style is that we are really focused on the concept of Affekt, the idea that the music is there to move the emotional mood of the listeners.
Here were four world-class virtuosi tossing off with evident delight a tour de force of scampering runs, perfectly coordinated phrases, and stunning, gorgeous, dynamic surprises. One doesn’t listen to music making like this every week, or for that matter, every year.
Pianist Anne Chamberlain will offer a rarity, the “Sonata for Piano” by Gideon Klein. Klein was perhaps the most talented composer during World War II, when he was interned in Terezin, Czechoslovakia, and composed a series of great works before being murdered in Auschwitz at 25.