Saturday, September 26, 2026

News and Ideas Worth Sharing

David Noel Edwards

David Noel Edwards is a writer, composer, and recording artist from Canaan, New York. He has been writing for the Berkshire Edge since 2015, mainly about music, but also about books, birds, and reptiles.

written articles

MUSIC: Frame at No. Six Depot

It’s not every day that you see BSO musicians in small venues playing folk music for tips, and it’s equally rare to see them performing with players whose musical traditions lie wholly outside the realm of so-called classical music.

PHOTO ESSAY AND REVIEW: ‘Tanglewood on Parade’

Watch for these aspiring young musicians in the future. Many of them took the exercise quite seriously.

REVIEW: At Tanglewood, tribute to Steven Stucky, Contemporary Music Festival curator

Stucky’s aim in “Dialoghi” isn’t to torment the cellist. Instead, he intends to endow the cellist with novel powers of expressivity. In this, Stucky succeeds admirably.

REVIEW: BSO in fine fettle under Asst. Conductor Ken-David Masur

Under Ken-David Masur’s direction on Saturday, Tchaikovsky’s Symphony No. 6 crackled with such vitality and force that past performances of the work now seem pale and tentative by comparison.

AT TANGLEWOOD: BSO displays French connection, Joshua Bell excels in Saint-Saëns

The orchestra’s longstanding affinity for Ravel’s music and their depth of experience with other French composers’ works is unmatched.

AT TANGLEWOOD: James Taylor, for love of the Berkshires

All musicians benefit from audience feedback, but James Taylor has his own way of working with an audience to inspire himself and shape his vocal performances in service to his fans.

AT TANGLEWOOD: A fresh, new Bob Dylan; a powerhouse Mavis Staples

Saturday’s crowd at Tanglewood came face to face with a living, breathing, fully energized Bob Dylan. And when Mavis Staples sings, angels rejoice.

AT TANGLEWOOD: Is Garrison Keillor actually retiring? Really?

When the on-air portion of “A Prairie Home Companion” ended at 8 p.m. on Saturday, Keillor, band, and guest singers immediately launched into a record-breaking 1.5-hour encore performance.

MUSIC REVIEW: Good vibrations, ‘unhinged abandon’ at Tanglewood with Brian Wilson

Audience members, still on their feet, showed signs they might be close to losing their minds. More than a few wept openly.

Aston Magna’s captivating performances of baroque ‘Love and Lamentation’

The Aston Magna players know what their performances should sound like before they play music that hasn’t been heard in hundreds of years.

REVIEW: Dolly Parton at Tanglewood, brilliant singing, songwriting

In everything she does, Dolly Parton wears her heart on her sleeve, and this, above all else — even above her spectacular musicianship — is what her fans cherish most of all.

MUSIC REVIEW: Close Encounters with music that shook the world

“Music That Shook the World!” featured works by six composers whose revolt against tradition scandalized concertgoers.

REVIEW: Close Encounters with Music: Landmark chamber music, landmark performers

The Dover Quartet is one unbelievably tight band. If you had closed your eyes during this concert, you’d have sworn a single musician was somehow playing every instrument.

PREVIEW: Cynthia Atwood’s ‘An Alphabet of Weapons’ at No. Six Depot Roastery and Cafe

All of Atwood’s work is manifestly sensuous, humorous, and provocative.

REVIEW: The storied Eagles Band under conductor Carl Jenkins

Since joining the Eagles Band as Principal Conductor in 2014, Carl Jenkins has led the group into ever more advanced musical territory and expanded their repertoire in unexpected ways.

REVIEW: ‘Fiddler Off the Roof,’ celebrating the range of Jewish music with Close Encounters With Music

The brightest highlight of Sunday’s CEWM concert was the world premier of Paul Schoenfield’s “ZEMER,” a piece based on Rabbi Max Roth’s melody.
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