Wednesday, October 7, 2026

News and Ideas Worth Sharing

David Noel Edwards

David Noel Edwards is a writer, composer, and recording artist from Canaan, New York. He has been writing for the Berkshire Edge since 2015, mainly about music, but also about books, birds, and reptiles.

written articles

REVIEW: Susan Merrill’s ‘Colors and Camouflage’

Having grown up on a farm in Maryland, Merrill has a deep and abiding respect for all animals, especially as they have become scarcer on Berkshire farms.

REVIEW: For something completely different: An Ayers/Rousseff exhibit in Old Chatham

Ayers’ characters entertain us by sticking their noses into all kinds of difficult social and political issues, and the result is often absurdly comical.

Bella’s Bartok, Bohemian klezmer punk at the Colonial: Interview with Asher Putnam

Audiences have described the band’s shows as “complete mayhem” and “controlled pandemonium.”

Jeremy Yudkin’s April 3 lecture at the Lenox Library: ‘Beethoven at Work’

“Beethoven’s work,” Yudkin explains, “is of such a stature that it warrants constant reviewing and research. We’re dealing here with a genius of the highest purpose, someone on a par with William Shakespeare.”

REVIEW: Bach meets Bach at Close Encounters with Music

However, what no one could possibly have anticipated — neither the Mahaiwe audience nor anyone living in the 18th-century — was the unprecedented genius of the great patriarch, Johann Sebastian Bach.

REVIEW: Crewdson’s ‘Cathedral of the Pines’ opens at Gagosian Gallery

The 31 digital print images were taken in and around the rural town of Becket, Massachusetts, and the subjects include several Berkshire residents.

BOOK REVIEW: A sagacious guide to the meaning of life

Dan Klein has written a serious philosophical treatise that employs judicious bits of humor to make serious points about life’s biggest questions.

REVIEW: Acclaim for pianists Soyeon Kate Lee and Ran Dank at Close Encounters With Music  

Soyeon Kate Lee’s delivery of Scriabin’s Op. 28 is so manifestly heartfelt that it would be difficult to say whether she owns the piece or is possessed by it.

BOOK REVIEW: ‘The Death of Cancer,’ overcoming disease in spite of ourselves

“The true story of the war on cancer is not just a war against nature but a war of us against ourselves . . . We have the tools to eradicate cancer.” -- Dr. Vincent T. DeVita Jr.

ON BOOKS: ‘Becoming Nicole,’ a search for the meaning of gender

Shouldn’t we all just accept the gender we were born with? “Sexual orientation is who you go to bed with. Gender identity is who you go to bed as.” -- Client at gender clinic at Children’s Hospital in Boston

REVIEW: Vivid performances of Brahms, Dvořák open 24th Close Encounters with Music season

When you witness a performance by musicians of this caliber, you are seeing the result not only of innate musical talent but also about ten thousand hours of practice that each musician must invest before reaching this level of virtuosity.

Book Review: ‘Neurotribes,’ a new conception of autism

“Everybody on the spectrum has a vast beautiful world inside them — whether or not society gives them the chance to express that is the question.” -- Steve Silberman, from his book, “Neurotribes”

REVIEW: Tanglewood Film Night without John Williams?

Watching a large orchestra play a great movie score “live to picture” is one of the most extraordinary spectacles a music fan can hope to witness.

AT TANGLEWOOD: The anonymous Yo-Yo Ma

Mr. Ma’s intention, no matter the piece he’s performing, is always to faithfully represent the innermost thoughts and emotions of the composer.

TANGLEWOOD: Emanuel Ax spoils audiences; Michael Tilson Thomas channels Mahler

If any conductor “owns” Mahler’s Fifth Symphony, it’s Michael Tilson Thomas. He certainly lived up to his Mahlerian reputation. When it comes to Mahler, Michael Tilson Thomas and the BSO are peerless.

AT TANGLEWOOD: Three lessons from Mozart’s last three symphonies

My music appeals to amateurs and specialists. The amateurs because they just love it without knowing why; the professionals because they can hear everything I am doing. --Wolfgang Amadeus Mozart
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