Sunday, September 13, 2026

News and Ideas Worth Sharing

Leonard Quart

Leonard Quart is Professor Emeritus of Cinema — CUNY and COSI; Contributing Editor, Cineaste; Columnist for Berkshire Eagle; and co-author of American Film and Society Since 1945 —4th Edition (Praeger).

written articles

FILM REVIEW: Victor Erice’s ‘Close Your Eyes’

Erice is a director who maintains his own vision, making no concessions to audience expectation or emotional manipulation. He believes in the almost magical power of film to invoke the ghosts of the past and keep memory alive.

LEONARD QUART: A note on Darializa Avila Chevalier, a Mamdani-backed Democratic Socialist running for Congress in New York

I hope she proves me wrong, but this time the charmed Mamdani seems to have made a mistake.

FILM REVIEW: ‘Animals in War’ tells the true story of animals impacted by the war in Ukraine

"Animals in War" is an anthology telling the true stories of animals impacted by the war in Ukraine. Of course, it is about the human beings connected to them as well.

LEONARD QUART: What makes life worth living at 86

In a public world that seems more like murderous and corrupt quagmire every day, there are still some things that make life worth living.

FILM REVIEW: ‘A Sad and Beautiful World’ directed by Cyril Aris

"A Sad and Beautiful World" uses the economic problems, violence, and instability of Lebanon primarily as background for a romantic love story that also contains some comic scenes. But the city’s violent sounds and archival images are inescapable.

LEONARD QUART: The Knicks win

This season, when the Knicks are finally champions after 53 long years and have come to embody (even for the moment to unify) New York City, has been a special one for all the team’s fans, myself included.

LEONARD QUART: Experiencing art on a city Sunday

I still feel it imperative to experience as much art as I can.

FILM REVIEW: Milagros Mumenthaler’s ‘The Currents’

In "The Currents," director Milagros Mumenthaler keeps her central character's unraveling deliberately inexplicable.

LEONARD QUART: Looking for a bit of hope

The U.K. still seems to posses a strain of social democratic decency that is an integral part of British political life, and so far, no Trump-like megalomaniacal monster has gained power.

LEONARD QUART: I remember

Clearly, memories are insufficient to make life meaningful, but I love the act of remembering.

FILM REVIEW: Nadav Lapid’s ‘Yes’

Lapid piles on the excess. Some scenes work beautifully; others seem like empty, loud exercises in neurotic rage.

FILM REVIEW: ‘The Stranger’ directed by François Ozon

The haunting new film adaptation of Albert Camus's existential masterpiece "The Stranger" is a rarity—a fine adaptation.

LEONARD QUART: Going back in time

It was the '60s, and I was involved with a group of faculty members in the creation of an innovative curriculum at CUNY’s first experimental and upper-division college, Richmond College.

FILM REVIEW: Huo Meng’s ‘Living the Land’ opens at the Film Forum on April 3

The film, which is a bit too leisurely, is less focused on individual character than on community and extended family—forces that, alongside a distant and repressive government, define their lives.

FILM REVIEW: A retrospective look at Satyajit Ray’s ‘Days and Nights in the Forest’

The delicate, quiet, unaffected "Days and Nights in the Forest" follows four worldly, middle-class men from Calcutta on holiday together in the countryside, where the unfamiliar environment reveals uneasy truths about each of them.

LEONARD QUART: An ever-changing city

Passing in a cab, I can pick up some of the neighborhood’s dynamics looking out of the window.
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